Casino steven woloshen, the 19th annual touring animation shows of shows | creative alliance
The deep, masculine sound of a tuba appears in blocky shapes of colour, contrasted with delicate white squiggles corresponding to a woman singing. He studied film at Concordia Universitywhere he initially made documentaries and collage films, but the freedom and accessibility of scratch animation won him over.
The tuba and voice play off each other as if in conversation, male and female. This article's tone or style may not reflect the encyclopedic tone used on Wikipedia. Please help by adding reliable sources.
Parts of the images are framed, blocked out, or painted over, dividing and isolating the figures from each other. While most of his films are exuberantly colored, Me Me Ma Ma is done in spare black and white. Because his films are self-funded and the tools of his craft film leader, markers, inks, brushes and craft knives are readily available, he can seize on an inspiration and act on it immediately.
See Wikipedia's guide to writing better articles for suggestions. Since he has worked exclusively in 35mm CinemaScope, an oddity in the independent film world that is made possible by his otherwise thrifty means of production. The Babble on Palms features various found-footage scenes of everyday life, accompanied by music by Ali Akbar Khan.
Two Eastern Hair Lines also employs found footage, and is composed primarily of scenes of two or three people — a man and woman in a blackjack aces side count together, two men seated across a desk from one another, a couple seated side-by-side. It reflects on the unbridgeable distance between people and the difficulties of communication.
Woloshen is heavily inspired by music, particularly jazz, and has made numerous short abstract works in which the images are created in synchronization to a music track. November Learn how and when to remove this template message Steven Woloshen born is a Canadian film animator and a pioneer of drawn-on-film animation.
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These are vibrant, light-hearted works, which capture the spirit and energy of the music. The outline of a hand appears over all of the scenes, partially blocking our view. The hand is treated with constantly changing decoration such as dots and spirals, and patterns and colours reminiscent of both the solar system and cells under a microscope — the universe is contained in our hand.
May This biography of a living person needs additional citations for verification. And happily, following the huge festival success of Ditty Dot Comma and a subsequent retrospective at the Ottawa International Animation Festival, his work has been increasingly seen and recognized at festivals, cinematheques and other venues around the world.
White scratches resembling rubbings, chalk drawings or electronic static jitter across a black background, matched to the driving beat of a techno music piece. Most of his work now is in 35mm, and often in CinemaScopean unusual format for this kind of animation.